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        Lyres - King David's Harp

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          The earliest example of the lyre was found in Sumerian art works

dated 2800 BC. Sumerian lyres were assymetrical, with one "arm" longer

than the other, often adorned with the sculptured figure of a bull or bulls head

at the joint of the sound box and one of the arms, with 9-11 strings.

The Egyptian lyre first appears around 2000 BC, with curved or

straight arms of different lengths. It was played with a long plectrum

held in the right hand, all strings being plucked together, while the left

hand fingers fanned out to silence the unwanted ones. As a rule it was held

horizontally with the crossbar away from the player. After 1000 BC a smaller,

symmetrical lyre came to Egypt from Asia, with parallel arms, held upright.

The lyre was also known to the ancient Hebrews, a trapezoid with 3-12 sheep

gut strings of different thicknesses. Recent investigation suggests it may not have

been tuned pentatonically, but diatonically with microtones. In Greece the lyre

was referred to as the phorminx and kitharis. The tuning was pentatonic without

semitones, for instance EGABD, not neccesarily in that order, with any extra strings

duplicating those notes in other octaves. The F, C and other notes were obtained by

stopping the next lower string to raise its pitch. Lyres have spread to Britain, France,

Germany, Scandinavia, Finland, Estonia. As time progressed the lyre was not only

plucked but bowed. The plucked lyre did not survive the Middle Ages in Europe, while

the bowed lyre survived only in Wales as the Crwth. Plucked lyres are still played in

Asia and East Africa, in Ethiopia, the Upper Nile, and the Congo.


[ information excerpt from Lark in the Morning ]     

To visit Lark in the Morning - select the hyperlink below:


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            Ethiopian Lyre

    The Kissar, known as the Kisirka, or Ethiopian lyre, is the parent of the kithara

and lyre.  In the very fine examples belonging to the late Mr. T. W. Taphouse, M.A.,

of Oxford, the strings are of camel gut.  The Kissar was plucked with the fingers,

or else with a horn plectrum, and as in the case of the harp, there was much diversity

in regard to the number of strings - the general number number being seven. (Although

there is a specimen in Berlin having thirteen strings)

   [Excerpt taken from :  The Story of the Harp

   by W.H. Gratten Flood.  Walter Scott Pub. 1905]


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The Lyre Today



So often seen in Renaissance paintings are depictions of angels with Lyres in the arms.

Luthier and Guitar-maker Edward V. Dick has taken those images and created what he

sees in the paintings.  With his wonderful inventiveness and craftmanship, construction

of modern acoustics has assisted him to dimiss the crude primitive nature of the


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made by
Luthier and Guitar-maker Edward V. Dick @ EVD String Instruments

To visit EVD - select the hyperlink below:


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Plucked Psaltey and Zither

As all the earlier examples shown here, the Psaltery and Zither have fixed

pitches.    The major difference is string length.  A lyre, in most cases,

is often thought of as having quadragular frame with string length being equal.

Therefore, string tension and gauge (at least what we now know it as today) would

most likely be the cause of pitches.  Here on the psaltery and zither, in addition to

tension and gauge, length is the main cause.


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